Black Blood (Last Vampire, Book 2) Concerto, plural concerti or concertos, since about 1750, a musical composition for instruments in which a
solo instrument is set off against an orchestral ensemble. The soloist and ensemble are related to each other by alternation, competition, and combination. In this sense the
concerto, like the symphony or the string quartet, may be seen as a special case of the musical genre embraced by ... The most important and influential
bass guitarist in the 66-year history of the Fender Precision he played, South Carolina-born, Detroit-raised James Jamerson wrote the bible on
bass line construction and development, feel, syncopation, tone, touch, and phrasing, while raising the artistry of improvised
bass playing in popular music to zenith levels.
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solo, first heard on CROSSINGS(Verve) in 1994 arrives with the just released BGO Records(UK) reissue of PUBLIC ACCESS-HEADLINE-CROSSINGS remastered, and packaged together on 2 CDs. This
solo simply centered around an Eb7(9) sonority and Anthony Jackson's creative and conversational
approach to tumbao features all the …
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of jazz and popular music terms that are likely to be encountered in printed popular music songbooks, fake books and vocal scores, big band scores, jazz, and rock concert reviews, and album liner notes. This glossary includes terms for musical instruments, playing or singing techniques, amplifiers, effects units, sound reinforcement equipment, and recording gear and techniques ...
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Bebop or bop is a style of jazz developed in the early to mid-1940s in the United States, which features songs characterized by a fast tempo, complex chord progressions with rapid chord changes and numerous changes of key, instrumental virtuosity, and improvisation based on a combination of harmonic structure, the use of scales and occasional references to the melody.
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Musical composition, the act of conceiving a piece of music,
the art of creating music, or the finished product.These meanings are interdependent and presume a tradition in which musical works exist as repeatable entities. In this sense, composition is necessarily distinct from improvisation.
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